Hearing Aid Beige

Hearing Aid Beige’s music takes some of the most distinctive elements of 60’s rock and arranges them to build an incredibly modern sound. They have the ability to echo Pink Floyd and Ariel Pink in the same verse, and they can come up with a Brian Wilson-esque melody just as easy as they deliver a Mac DeMarco inspired guitar hook. It all results in songs that are kaleidoscopic, easy to listen, fun and relaxing… all at the same time.

Based in Totnes, a small town in the southwest of the UK, Simon Hampshire and Tommy Williams have created a perfect song writing partnership. Simon splits his time between architecture and other musical projects, including Yndi Halda, one of our favourite post-rock bands. Tommy, for his part, is an experienced producer and also live audio engineer for artists such as Bonobo, Honne and Jordan Rakei.

The artistic personality of both makes Hearing Aid Beige a band that pays attention to the smallest detail of their creations. From the perfectly defined aesthetic of their chosen artwork to the carefully produced sound layers in each song, they compose a world inhabited by mesmerizing vocal harmonies, geometric figures, dreamy choruses and pastel colours. When playing live they are joined by long-term friends and musicians, Brain Rays, Cape Khoboi and Lunchtime Sardine Club.

 

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Hearing Aid Beige

La música de Hearing Aid Beige utiliza algunos de los elementos más distintivos del rock de los 60 y los acomoda para construir un sonido increíblemente actual. En un mismo verso son capaces de remitir a Pink Floyd y a Ariel Pink. Con la misma facilidad crean un melodía a la Bryan Wilson que una línea de guitarra influenciada por Mac DeMarco. El resultado final son canciones tan caleidoscópicas como digeribles y tan divertidas como relajantes.

Desde un pequeño pueblo llamado Totnes en el suroeste del Reino Unido, Simon Hampshire y Tommy Williams crearon una alianza musical perfecta. Simon, además de ser arquitecto de casi tiempo completo, es miembro de distintos proyectos musicales, entre los que destaca Yndi Halda, uno de nuestros grupos de post-rock favoritos. Tommy, por su parte, es un productor experimentado y el ingeniero de audio en vivo de artistas importantes como Bonobo, Honne y Jordan Rakei.

La personalidad artística de ambos hace que Hearing Aid Beige sea una banda que pone atención al más mínimo detalle de sus creaciones. Desde la estética perfectamente definida en el arte de sus portadas, hasta las capas de sonido cuidadosamente producidas en cada canción, componen un mundo habitado por armonías vocales, figuras geométricas, olas de reverb, coros de ensueño y colores pastel. En vivo, son acompañados por sus buenos amigos y músicos, Brain Rays, Cape Khoboi and Lunchtime Sardine Club.

 

Lázaro Cristóbal Comala

Lázaro Cristóbal Comala was our favorite Mexican singer-songwriter even before we started working with him. His songs remind us why we fell in love with folk in the first place. It has to do with the simplicity of his melodies and the depth of his lyrics, but above all with his ability to break your heart and make you laugh all in the same verse.

From the name- inspired by the concept of the orphanage- he creates an identity that sounds of desert landscapes populated by solitude, dust storms, and thorns. That world is shaped by the magical realism of Juan Rulfo and Johnny Cash’s music, as the singing rooster from Robin Hood or everyday people from his native city, Durango. The result is stories that confront you with an inevitable reality, where the bad moments are more common (but not less important) than the good ones.

Samuel (2019) is Pedro y El Lobo first album in Spanish. It’s not that we didn’t want to, it’s just that we hadn’t found the right project, until one day, lucky enough, we heard a song called “Clara y Ancla”. Lázaro’s voice is completely from this time and place. It has Mexican humor that deals with tragedy and songs dedicated to pharmaceutical substances. The amazing thing is how he addresses universal topics with the same honesty and clarity that people talk in cantinas and bars.

 

ARTIST’S PROFILE IN SPANISH

Matt Kivel

Los álbumes de Matt Kivel son como casas miniatura: piezas de arte aparentemente sencillas que, al examinarlas de cerca, revelan mundos perfectamente hechos. Te puedes perder en los detalles o maravillarte desde lejos, pero la extraña belleza de algo tan modesto y bien construido es fácil de percibir.

Matt ha lanzado música bajo su propio nombre desde 2012. La genialidad de sus composiciones nunca se ha traducido en una audiencia masiva, pero esa no era su intención. En lugar, ha logrado construido una fiel base de seguidores que llegaron por el indie-pop pegajoso y se quedaron por las atmósferas minimalistas y la nostalgia desgarradora. En el camino, ha colaborado con artistas importantes como Bonnie “Prince” Billy o Robin Pecknold de Fleet Foxes; también ha compartido escenario con Angel Olsen y Steve Gunn, entre otros.

La primera colaboración entre Pedro Y El Lobo y Matt Kivel fue con un concierto acústico en 2017. Una amistad casi instantánea se formó a partir de nuestro amor mútuo por Leonard Cohen y un entendimiento similar de la música. Last Night In America –el primer álbum de Matt que hemos publicado– es un paso más en esa conexión. Es una obra maestra en la que cada palabra, sonido y silencio está cuidadosamente acomodado con una intención, pero más importante aún… es un disco que nos encanta y del cuál estamos sumamente orgullosos de ser parte.

Matt Kivel

Matt Kivel’s albums are like homes made in miniature — seemingly simple pieces of art that, upon closer examination, reveal exquisitely crafted worlds of their own. You can get lost in the details up close, or marvel from afar, but the intricate beauty of something so modest and expertly rendered is plain to see.

Matt has been releasing music under his own name since 2012. The brilliance of his songwriting has never translated into a massive audience, but then again, that was never  his intention. He has build a strong cult following that came for the lo-fi indie-pop and stayed for the minimalist soundscapes and the heartbreaking nostalgia. Along the way, he has collaborated with renowned artists such as Bonnie ‘Prince’ Billy and Robin Pecknold of Fleet Foxes; and performed shows with Angel Olsen and Steve Gunn, among others.

The first collaboration between Pedro Y El Lobo and Matt Kivel was an acoustic concert in Mexico City in 2017. An almost instant friendship stemmed from our mutual love of Leonard Cohen and a similar understanding of music. Last Night In America –the first of Matt’s albums that we have released– is a step further in our connection. It is a masterpiece in which every word, sound and silence is carefully placed with a purpose, but most importantly, it is a record that we truly love and are proud to be a part of.

 


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Lázaro Cristóbal Comala

Lázaro Cristóbal Comala ya era nuestro cantautor mexicano favorito desde antes de trabajar con él. Sus canciones nos recuerdan por qué nos enamoramos del folk en primer lugar. Tiene que ver con la simpleza de sus melodías y la profundidad de sus letras; pero sobre todo con la capacidad de romperte el corazón y hacerte reír en un mismo verso.

Desde su nombre –inspirado por el concepto de la orfandad– crea  una identidad que suena a paisajes desérticos poblados por soledad, tolvaneras y espinas. Ese mundo está tan moldeado por el realismo mágico de Juan Rulfo y la música de Johnny Cash, como por el gallo cantor de Robin Hood o los personajes cotidianos de su ciudad natal, Durango. El resultado son historias que te enfrentan de lleno con una realidad inescapable, en la que los malos ratos son bastante más comunes (pero no menos importantes) que los buenos.

Samuel (2019) es el primer disco en español jamás lanzado por Pedro Y El Lobo. No es que no hubiéramos querido antes, sino que no habíamos encontrado el proyecto correcto hasta que un día, por suerte, escuchamos una canción llamada “Clara y Ancla”. La voz de Lázaro es completamente de este tiempo y lugar. Tiene un humor muy mexicano para lidiar con la tragedia y hasta canciones dedicadas a sustancias farmacéuticas. Lo asombroso es cómo logra abordar temas universales con la misma honestidad y claridad con las que habla de cantinas y minibares.

 

ARTIST’S PROFILE IN ENGLISH

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